The mood does seem to have shifted in recent years, so we might not see pop music's newest teenage superstar face much legal grief (also because Taylor Swift loves her). "But it doesn't make sense to restrain the kinds copying that we saw in Blurred Lines, and that we are seeing in all these other cases, where it is not a straight-up copying of the entire work, it's taking elements of that work to create something new." So, is somebody going to sue Olivia Rodrigo?Īnything's possible! But there have been no threats yet. "It makes sense to restrain people from coming along and copying the song exactly as it is, and sticking it up for people to download for free or whatever. It made barely anyone but a small coterie of entertainment lawyers happy.Īs Dr Kylie Pappalardo, a senior lecturer in intellectual property at QUT, told in the ABC in 2018:
Methods by a large margin both quantitatively and qualitatively."Blurred Lines" became shorthand for a fiercely litigious era of the music business that saw Radiohead sue Lana Del Rey and a Christian rapper sue Katy Perry. Real-world footage show that our approach outperforms prior state-of-the-art Extensive evaluations on the TAP-Vid benchmark and This representation allows us toĮnsure global consistency, track through occlusions, and model any combination Using a quasi-3D canonical volume and performs pixel-wise tracking viaīijections between local and canonical space. Motion estimation of every pixel in a video.
Motion representation, dubbed OmniMotion, that allows for accurate, full-length We propose a complete and globally consistent
Struggling to track through occlusions and maintain global consistency ofĮstimated motion trajectories. Tracking algorithms typically operate within limited temporal windows, Download a PDF of the paper titled Tracking Everything Everywhere All at Once, by Qianqian Wang and 6 other authors Download PDF Abstract: We present a new test-time optimization method for estimating dense and
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